Ganesh Purana – Vyasa Mahabharata

Ganesha Purana

The Ganesha Purana (Sanskrit:गणेश पुराणम्; gaṇeśa purāṇam) is a Sanskrit text that deals with the Hindu deity Ganesha (Gaṇeśa). It is an upapurāṇa (minor Purana) that includes mythology, cosmogony, genealogy, metaphors, yoga, theology and philosophy relating to Ganesha.

The text is organized in two voluminous sections, one on mythology and genealogy (Krida-khanda, 155 chapters), and the other on theology and devotion (Upasana-khanda, 92 chapters). It exists in many versions. The text's composition and expansion date has been estimated to be the late medieval period, between the 13th- to 18th-century CE, during a period of political turmoil during the Islamic rule period of South Asia. The text shares the features and stories found in all major Puranas, and like all Puranas, it is, states Bailey, also a cultural object and reflects the cultural needs and mores, in the environment it was written.

The Ganesha Purana, along with the Mudgala Purana, Brahma Purana and Brahmanda Purana, is one of four Puranic genre encyclopedic texts that deal with Ganesha. The four texts, two Upa-Puranas and two Maha-Puranas, differ in their focus. The Brahmanda Purana presents Ganesha as Saguna (with attributes and physical form), the Brahma Purana presents Ganesha as Nirguna (without attributes, abstract principle), Ganesha Purana presents him as a union of Saguna and Nirguna concept wherein saguna Ganesha is a prelude to nirguna Ganesha, and the Mudgala Purana describes Ganesha as Samyoga (abstract synthesis with absolute reality and soul).

The Ganesha Purana is significant because it is, with Ganapati Upanishad, the two most important texts of the Ganapatya sect of Hinduism. The Ganapatyas consider Ganesha as their primary deity, and the mythology of Ganesha found in this Purana is part of their tradition. The text is also significant because it relates to Ganesha, who is the most worshipped god in Hinduism, and revered as the god of beginnings by all major Hindu traditions, namely Shaivism, Vaishnavism, Shaktism and Smartism. The text integrates ancient mythology and Vedantic premises into a Ganesha bhakti (devotional) framework.

The Ganesa Purana is divided into two sections. The Upasanakhanda (upāsanākhaṇḍa) or "section on devotion" has 92 chapters, and the Kridakhanda (krīḍākhaṇḍa) or "section on the divine play (of Gaṇeśa)" has 155 chapters. The Kridakhanda is also called the Uttarakhanda (uttarakhaṇḍa) in the colophons. Chapter 46 of the Upasanakhanda includes a stotra (hymn) that is the source text for one of the best-known versions of the Ganesha Sahasranama (hymn of praise listing 1,000 names and attributes of Ganesha).

The text has five literary units, found in all Puranas: khanda, mahatmya, upakhyana, gita and a narrative unit. It is structured as a recitation by sage Vyasa, traceable to sages in the mythical Naimisa forest in Hinduism.The composition style is didactic and mythic, the imagery and framing of story is similar to the other Puranas. The text has four idiosyncrasies, states Bailey, in that it contains no pancalaksana content, minimal didactic presentation of dharmashastra, the myths are structured as involving Ganesha's intervention in ancient Hindu mythology, and the mythical plots invariably present Ganesha as the life and inner principle of all other Hindu deities.

Upasanakhanda: Abstract meditation or Bhakti Puja

The Upasanakhanda, or the first part of the Ganesha Purana, presents two modes of worship. One is meditation and mystic contemplation of Ganesha as the eternal Brahman presented in Vedanta school of Hindu philosophy, the metaphysical absolute and Paramatma (Nirguna, supreme spirit), where he is same as the Atman (soul, innermost self) within oneself. The second approach, suggests the Ganesa Purana, is through preparing an image of god (Saguna, murti), decorating it with flowers, presenting it offerings and festively remembering him in Puja-style homage. The Upasanakhanda presents these ideas in a series of episodic stories and cosmogony, that weaves in ancient mythologies as dynamic empirical reality and presents Ganesha as the Vedantist Brahman, or the absolute unchanging reality.

Kridakhanda: The Ganesha Gita

Chapters 138-48 of the Kridakhanda constitute the Ganesha Gita, which is modeled on the Bhagavad Gita, but adapted to place Ganesha in the divine role. The discourse is given to King Varenya during Ganesha's incarnation as Gajanana.

According to Yuvraj Krishan, the Ganesha Gita shows that ninety percent of its stanzas are, with slight modifications, taken from the Bhagavad Gita. Their topics are the same: karma yoga, jnana yoga and bhakti yoga. However, Ganesha replaces Krishna in the divine role, states Yuvraj Krishan.

In contrast, Greg Bailey states that while Bhagavad Gita is a strong possible source, the Ganesha Gita has only 412 verses in this section and skips a large number of verses in Bhagavad Gita, and it is incorrect to presume that the text is identical in all respects and merely replaces Ganesha for Krishna. The discussion develops differently, and the character of Varenya is far weaker than the inquisitive philosophical questions of Arjuna in the Bhagavad Gita, as Varenya asks questions of Ganesha. However, agrees Bailey, that the theology found in Bhagavad Gita and Ganesha Gita are substantially the same.

Kridakhanda: Ganesha in four Yugas

The Kridakhanda of the Ganesha Purana narrates the stories of four incarnations (Avatars) of Ganesha, each for the four different yugas. The 155 chapters of this section are separated into the four Yugas. Chapters 1 through 72 present Ganesha in Krita Yuga, chapters 73 through 126 present Ganesha's story in the Treta Yuga, while chapters 127 through 137 present his stories in Dvapara Yuga. Chapter 138 through 148 present the Ganesha Gita, followed by a short section on Kali Yuga (current era) in chapter 149. The rest of chapter 149 through chapter 155 are interlocutory, following the literary requirements of a valid Puranic genre.

Ganesha is presented as Vinayaka in Krita Yuga, with ten arms, huge, very generous in giving gifts and riding a lion. In Treta Yuga, Ganesha is in the form of Mayuresvara (Mayūreśvara), who has six arms, with a white complexion, and rides a peacock. He manifests in the form of Gajanana (Gajānana) in Dvapara Yuga, with four arms, a red complexion and riding a mouse. He is born to Shiva and Parvati in the Dvapara yuga. In the Kali Yuga, he is Dhumraketu (Dhūmraketu), with two arms, of smoke complexion, mounted on a horse. He fights barbarian armies and kills demons in the Kali Yuga, according to Ganesha Purana.

Click on the links below for the review/download the Kannada Translation of Ganesh Purana, by Hanagal Yagneshwara Shastry, published in 1953 under the Shri Jayachamarajendra Grantharatnamala in 8 volumes. This Purana was digitized through Sriranga Digital Technologies by Shri Yogananda, Professor of Mathematics, at Shri Jayachamarajendra College of Engineering, Mysore.

Click on the link below for an English translation of Ganesha Purana:

https://www.wisdomlib.org/hinduism/book/the-ganesha-purana#contents